Angie Pittman is a New York based dance artist, dance maker, and dance educator. Her work has been performed at The Kitchen, Gibney Dance(Invocation, Proclamation, Manifesto), BAAD! (BlaktinX Performance Series), Movement Research at Judson Church, Triskelion Arts, STooPS, The Domestic Performance Agency, The KnockDown Center(Sunday Service), The Invisible Dog(Catch 73), Danspace Project (Food for Thought, Draftworks, Platform 2018), and Krannert Center for the Performing Arts (Illinois). Angie is currently working as a collaborator and dance artist with Antonio Ramos, devynn emory/beastproductions, Anna Sperber, and Donna Uchizono Company. Angie has had the pleasure of dancing in work by Tere O'Connor, Jennifer Monson, Johanna S. Meyer, Kyli Kleven, Anna Sperber, Kim Brandt, Cynthia Oliver, Ralph Lemon, Tess Dworman, Jasmine Hearn, Jonathan Gonzalez, Lily Bo, Keely Garfield, and others. She holds a MFA in Dance and Choreography from the University of Illinois at Urbana-Champaign with a graduate minor in African American Studies. She was a 2015 DanceWEB scholar for Impulstanz Dance Festival in Vienna, Austria and a 2016 Artist-in-Residence with Movement Research. In 2017, Angie was awarded a “Bessie” for Outstanding Performer for her work with Skeleton Architecture, which is a vessel of Black womyn and gender nonconforming artists rooted in the rigor and power of the collective in practice. Her work has also been supported by Foundation for Contemporary Arts Emergency Grant and residencies through Tofte Lake Center and Movement Research. Angie’s work resides in a space that investigates how her body moves through ballad, groove, sparkle, spirit, spirituals, ancestry, vulnerability, and power.